Now return the cursor to the inside of the ellipse a little distance from your original click, then double-click. Move your cursor to a point near the speaker's mouth, then click again. Hold down the Shift key and click inside the selected ellipse. In the Freehand Dialogue Box, select “Point to Point”. Make sure they overlap, so we can merge them later. Now, I placed the text at a short distance from the original balloon (Fig.1), keeping in mind that this text will also be in a balloon, and I only want the balloons to intersect just a bit (Fig.2). This takes some experimentation but is essential in making your balloons and text look their best. The ellipse is narrow at both top and bottom, so it is wise to have the first line contain only a word or two, the next line more and so on and so forth, then doing the reverse as you near the end of the text. You must decide how best to break up your text to “form” it so it best will fit into the balloon. So we will follow the same principles for her remaining dialogue, with a little change to add the angle so we know who is speaking.įirst, see how I laid out the remaining text in the Text Dialogue Box (see image). Like I mentioned, large blocks of dialogue look better broken up into smaller balloons. This balloon is the continuing text of the female character. That is because we have more text to add, and we'll add it to the next balloon. You'll notice that there is no angle spouting from the balloon to indicate who is speaking the dialogue. This will allow you to neatly lay the chunk of text directly in the center of the balloon (Fig.4). Drop it into the word balloon (again, use CNTL+D to deselect the balloon if it is currently selected). The text you previously typed should already be in the Text Dialogue Box. Then, select your Fill tool again and this time dump white in the balloon (Fig.3). Then, go to “Selections” and from the dropdown select “Modify” then “Contract”. You will have filled over your text, but don't worry. Then, use your Fill tool and fill the image with black (Fig.2). Starting from the center of the text, draw an ellipse that covers all the text (Fig.1) and leave some extra room (HINT: Select CNTL+D to deselect the text if it is still selected). Next, select the Shape tool and choose Ellipse. Step 1 - OPEN YOUR IMAGE IN PAINT SHOP PRO
#Paint shop pro 5 text help software#
Personally, I use Final Draft which is a screenwriting software to write my dialogue because it helps you craft stories quickly, but simply using Microsoft Word will work as well. Poor planning will result in poor results, so be sure you have a solid story and know which text should appear on each frame so as to not ruin a good comic by cramming filled word balloons in odd places. This is essential because you need to know how much text you'll be placing on each of your images so that it will fit properly. Additionally, these techniques can be extrapolated and applied in Adobe Photoshop or any other photo editing software that contains these same functions.Īlso, it should go without saying, that if you are going to be illustrating comics you should already have the story written.
NOTE: This tutorial will specifically be making use of Jasc's Paint Shop Pro 7 (PSP is currently owned by Corel), however, the interface hasn't changed much and the principles described here can be used in earlier or later versions of the same program.
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